I was looking forward to In the Forest of the Night. The
general premise as announced before the episode sounded pretty good. A forest
springing up in a single night to cover an entire planet seemed a suitably
intriguing idea for the show, and one that would provide an opportunity to give
us lots of impressive visuals. We got the visuals and they were as impressive
as you could have reasonably asked for. But unfortunately that’s about all that
can be said in favour of this episode. Even Capaldi didn’t seem especially
great here.
The plot which writer Frank Cottrell Boyce went with was
both flawed and uninspiring. It revealed trees to be sentient creatures that
live on the planet, at least in part, to protect humanity from solar flares and
other potential disasters. Not only that but trees can make themselves inflammable
whenever they like and can even, somehow, possess humans. As long as said
humans are taking the right combination of medications and suffering from some
form of grief or mental impairment, natch.
I understand that watching Doctor Who requires a certain
suspension of disbelief, but that can only take you so far. When the writing
team offer up things as patently stupid as this it becomes impossible to look
passed them and a waste of time trying to rationalise them within the programme’s
increasingly loopy internal logic. It’s the same problem that harmed Kill the
Moon: not enough attention was paid to how things worked within the episode and
so it crumbled into a stream of stuff that just happened.
This would have been a good episode to highlight the problem
deforestation presents to humanity. The eight year olds watching are part of a
generation that’s going to be really messed up by it if changes aren’t made. An
episode of a programme as popular as Doctor Who that made it clear
deforestation is something that needs attention could have affected one or two
kids enough to spur them into wanting to pursue a career in the field. X Factor
makes some kids want to grow up to be celebrities. Shouldn’t Doctor Who at
least attempt something similar occasionally?
The episode also failed with the child actors. To put it
politely they varied in capability. Abigail Eames as Maebh was a particularly tough
watch, although in fairness she had the unenviable job of conveying possession
by tree.
The number of actors in the episode was distracting. The
entire class of kids seemed to be about eight strong, a very low number for a
class anywhere in the general vicinity of London. Even worse was that the
episode was set in central London and nobody was about besides half a dozen
scientists and a mum on her bike. Even if this area were overrun by a forest
that couldn’t be burned there would be more people around than this. A
throwaway line was added about people being told to stay indoors and fill baths
with water (the reason for that escapes me but I remember thinking it was daft)
but it didn’t seem convincing enough. The centre of a city wouldn’t remain
completely devoid of people just because of a government warning and a
fantastical forest. A more convincing throwaway line could have sorted the
problem, and that could have been added if Steven ‘Two Drafts’ Moffat had given
this script the attention it needed. You know, like he’s paid to.
I’m sure the attention Moff did give this script went
into Clara and Danny. If you overlook the fact that the rest of the episode
suffered as a consequence this is fine. Clearly the Clara and Danny
relationship is intended to be an important part of this series so seeding
stuff into it is a necessity if there’s to be a payoff to it. Going on the
first ten episodes of this series (and emphatically not going on the trailer
that aired at the end of ITFOTN) their relationship and the tease of how it
will affect Clara’s friendship with the Doctor doesn’t seem especially
interesting. But finale stories are there in part to surprise us, and perhaps
one of the surprises will be Clara and Danny’s relationship having been given
more substance than it currently seems. Though I doubt it.
ITFOTN had a “star” writer, a strong spot in the running
order (coming just before the finale should have ensured it got some extra
attention), and a premise that could have been excellent. It could have come
together to give us something amazing and memorable. Instead it ended up a
mediocre filler episode that existed primarily to contribute to a relationship
storyline. What a waste.
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